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Texas Archeology Academy

 
Academies 2008 2007 2006 2005 2004 2003 Site Reports
Curricula Archeology 101 Ceramics Lithics Rock Art

Curriculum Outline
Texas Archeology Academies


Archeology 101 Curriculum Outline

Introduction to archeology, goals, objectives

How to recognize an archeological site

Identifying the signs of the past

Lithics, ceramics, bone, shell, burned rock, burned clay, historic materials

Survey and site recording

Why do we record sites?

How to record an archeological site

Assigning unique designation: site number, name

Recording the site position

Global Positioning System

United States Geological Survey maps

Aerial photographs

Describing the site

Mapping: pace and compass; aerial plotting

Assessing the depth

Assessing its temporal position

Assessing its cultural place

Composing narrative description

Photography and photo logs

Test excavations

Why test a site since testing destroys archeological deposits?

Is testing the best way to answer questions about a site?  Are there a clear goal and a clear exit for the testing?  Do we have the resources needed for completion?  Can we handle the excavated materials responsibly?  Can we afford to properly and permanently curate resulting materials?

Choosing a strategy for test excavations

Shovel testing

Test units

Small blocks

Choosing a place to test

Locating test pits on site map

Permanent datums and grids

Controlling depth (vertical control)

How to record and handle features

Sampling strategy

Size of test pit

How to lay out a meter square

Screen size

Flotation and fine screening

Excavation methods and procedures

Preserving context

Field sack log

Collection methods

Method of excavation

Natural levels

Arbitrary level

Sampling: What to collect and how much

Recording excavation

Field journal

Written narrative

Recording detail

Photographic record

Digital record

Laboratory methods

Lot numbers and inventory: cross-referencing field sack numbers

Laboratory processing

Preservation of delicate materials

Packaging: proper curation standards

Assessments and recommendations

Assessing and interpreting the results

What was the significance of the test

How can the site expand our knowledge about Texas archeology

Writing a report to file and publish

Protecting important sites

Options

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Ceramics Academy Curriculum Outline

Introduction

Pottery technology

Ceramic body

Hands-on: examine paste examples

Decoration

Pottery demo (A) wheel, mold (B) coil, pinch

Sherd analysis

Sherd attributes: hands-on sort

Building a chronology

Historic ceramics

Potsherds to people

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Lithics Academy Curriculum Outline

Introduction

Fracture of elastic solids

Analysis and analytical tips

Reading lithics

Linear reduction

Use wear and damage

Stories in stone: Colha, Belize

Side Bar: perforator of power

Glossary

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Rock Art Academy Curriculum Outline

The archeology and anthropology of rock art

What is “rock art”?

Pictographs
Engravings and petroglyphs
Earth figures

Where is rock art found?

Global distribution
Rock art on the landscape

When did production of rock art begin?

Origins of rock art
Rock art production today

Who is the artist?

How is rock art produced?

Why is rock art produced?

Analysis, dating, and classification

Physical and chemical analysis of pigments

Rock art dating

Classification and style

Interpretive methods

Informed methods of analysis

Formal methods of analysis

Scientific method in rock art – before the field

Developing a research design

Developing field protocol

Basics of rock art field recording

Implementing field protocol

Maintaining flexibility in field protocol

Rock art analysis – after the field

Conducting a feature analysis

Applying relevant ethnographic and ethnohistoric data

Testing hypotheses – developing a cable-like argument

Reformulating hypothesis and new discoveries

Management and conservation

Assessing the site

Developing a management plan

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January 18, 2008